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Being Julia.

Publication: Take One
Publication Date: 01-SEP-04
Format: Online - approximately 1655 words
Delivery: Immediate Online Access

Article Excerpt
BACK IN EARLY AUGUST, I asked British playwright and veteran screenwriter Ronald Harwood what he loves most about the theatre and how it differs from film. He zeroed in on the heart of the matter: "It's live, and that can be very bad and very wonderful. The performances change." A completed a...

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...movie is fixed in its final shape, Harwood continued. "Annette Bening is not going to let me down. But the theatre is much more dangerous operation."

The movie Harwood is referring to is Being Julia, his most recent screen adaptation. His other credits include Roman Polanski's Oliver Twist, currently in production, last year's The Statement directed by Norman Jewison and The Pianist, which earned Harwood, Polanski and Adrien Brody Oscars[R] in 2002, not to mention the Cannes Palme d'Or. You might remember the prolific screenwriter accepting his Academy Award with unaffected enthusiasm and gratitude.

Based on a 1947 Somerset Maugham novel Theatre, Being Julia originated, Harwood explained, with "a brilliant young British producer called Mark Milln. He acquired the rights and came to me with the book." Long before Milln approached him, Harwood had considered buying the rights himself, so he was immensely excited. "I read the book again and knew exactly how I wanted to do it." Eventually, Canada's own megaproducer, Robert Lantos, with whom Harwood collaborated on The Statement, took Being Julia from early development to its screening as the 2004 Toronto International Film Festival's opening night gala. According to Harwood, Lantos is...

NOTE: All illustrations and photos have been removed from this article.



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