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Tilar J. Mazzeo, Plagiarism and Literary Property in the Romantic Period.(Book review)

Publication: Wordsworth Circle
Publication Date: 22-SEP-07
Format: Online
Delivery: Immediate Online Access

Article Excerpt
(University of Pennsylvania Press, 2007).

236 + xiv $55.00

If, as Slavoj Zizek has argued, every ideology has its characteristic symptom, then the symptom of "Romantic Ideology" is plagiarism. This is the case not only because the most influential poet-impresario of Romanticism was a...

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...himself plagiarist, but also because, as Tilar J. Mazzeo observes in Plagiarism and Literary Property in the Romantic Period, "Romanticism's almost exclusive critical association with the values of self-legislating originality" (ix) has so often been blamed for the "impossible ideals of . .ex nihilo" (187) creativity that continue to dominate Anglo-American pedagogy and criticism, despite periodic debunkings and in the face of contemporary artistic practice. (For a brilliant counterstatement, I recommend Jonathan Lethem's "The Ecstasy of Influence: A Plagiarism," Harper's Magazine [February, 2007]). Yet despite the persistence of this "association," one doubts whether such impossible ideals were ever...

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