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Article Excerpt City Center, NYC November 28-December 31, 2007
The Ailey company, with the guidance of former Bejart dancer Shonach Mirk Robles, has taken Maurice Bejart's idealistic, ritualistic Firebird (1970) to heart, marking it with discipline and unanticipated dignity. The piece deploys an ensemble in denim-blue uniforms--the look, vaguely Maoist--engaging in passionate, communal action. As the opening music of Stravinsky's Firebird Suite darkly simmers, dancers, gathered close together, bend their knees and circle them as if stirring a cauldron. Bejart's expressiveness is iconic--rarely...
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