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Dancing through Austen's plots: a pedagogy of the body.(Miscellany)

Publication: Persuasions: The Jane Austen Journal
Publication Date: 01-JAN-06
Format: Online
Delivery: Immediate Online Access

Article Excerpt
I AM NOT A DANCER. There, I've said it. I haven't been a dancer since little Laura C. eyed my meager attempts in sixth grade to move my arms and legs in time to the music pouring out of the record player in our school's Cafetorium. She announced to me and to the entire world, "You dance like...

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...a jerk." She was a dancer. At least she had all the accoutrements: she carried a ballerina-appliqued vinyl shoulder hag full of leotards, tights, and soft little flexible slippers. She knew positions: first, second, and third. At eleven I couldn't see that her chunky little legs wouldn't get her past an intermediate ballet class. In the present moment of sixth grade, she was the authority, and I stopped dancing.

In sixth grade I was also not a reader of Jane Austen--wisely, I'd say in retrospect, since young, hormonally-driven readers of Austen frequently miss her wit, her satire, and her incisive social analysis when they are fixated, like Marianne Dashwood, on romantic entanglements. Austen and dancing came late into my life, but Austen did come first, in graduate school, where I could be as cerebral as I wanted, and no one expected me to expose my corporeal awkwardness while engaging in literary analysis.

Like most of my peers, I was able to obtain an advanced degree in the eighteenth-century novel...

NOTE: All illustrations and photos have been removed from this article.



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