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Article Excerpt
Most of my shoots are on-location events like concerts, ballets, and weddings, where I use on-scene lighting or, at most, an on-camera light. When I've done training videos and other similar shoots where I had more control, I've used "ad hoc lighting," which is how I refer to the collection of tungsten shop lights and incandescent clamp lights I've accumulated through the years. These work OK, but aren't really portable, don't provide precise controls over lighting placement or intensity, and certainly don't impress the client.
I recently had the opportunity to work with the Lowel DV Creator 44 Kit ($1,695 retail) for some interviews I was shooting for both DV and DVD distribution. It was a fun and interesting experience that I thought I would share.
Some introductory thoughts. First, I'm a soft-light fanatic because I don't like the detail, edges, and shadows...
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