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Pierrot lunaire: Albert Giraud, Otto Erich Hartleben, Arnold Schoenberg: Une Collection D'etudes Musico-Litteraires.

Publication: Notes
Publication Date: 01-MAR-06
Format: Online
Delivery: Immediate Online Access
Full Article Title: Pierrot lunaire: Albert Giraud, Otto Erich Hartleben, Arnold Schoenberg: Une Collection D'etudes Musico-Litteraires.(Book review)

Article Excerpt
Pierrot lunaire: Albert Giraud--Otto Erich Hartleben--Arnold Schoenberg: Une collection d'etudes musico-litteraires. Edited by Mark Delaere and Jan Herman. (La republiques des lettres, 20.) Louvain; Dudley, MA: Editions Peeters, 2004. [204 p. ISBN 9042914556. $44.] Notes.

Like many other musicologists, I have in the past dismissed Albert Giraud as a "minor Belgian poet" who required only an obligatory mention before I discussed what seemed to be more substantive issues in Schoenberg's Pierrot lunaire. Belgians don't feel quite the same way, as I first

learned from reading press reviews of the Brussels premiere of the Schoenberg work: the French retranslation of Otto Erich Hartelben's German translation of Giraud's French original disgusted some Belgian critics, who saw such translation as an abuse of their countryman's poetry. Translation is in fact a primary theme of this collection of essays, which also serves as an important corrective to our sometimes shallow notions of interdisciplinary research.

Originating in an international literary and musicological congress on Pierrot lunaire held at the Katholieke Universtiteit Leuven--in Giraud's home town--this trilingual volume presents the work of German, British, French, American, and Belgian scholars on topics ranging from Pierrot's theatrical and literary antecedents, to the intertextual relationships among Giraud, Hartleben, and Schoenberg's versions, to Pierrot's translation, transmission, and reception.

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