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Article Excerpt
Maintaining ballet's repertoire is miserably difficult compared with the ease with which those allied theatrical arts, opera and drama, secure and honor their own pasts. The recording and reconstruction of choreography have always been a problem for dance. Now, with more viable systems of notation and better videos available, the future of dance's past should be far brighter than it is at present. Meanwhile, every major work retrieved from the dry dust of history books is a victory.
Recent months have produced almost a plethora of resuscitations in classical ballet, some more successful than others, and some more worthy, for eventually the intrinsic worth of what is being resuscitated comes into play. After all, most ballets--most works...
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