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The Keyboard in Baroque Europe.

Publication: Notes
Publication Date: 01-JUN-04
Format: Online - approximately 1229 words
Delivery: Immediate Online Access
Full Article Title: The Keyboard in Baroque Europe.(Early Music)(Book Review)

Article Excerpt
The Keyboard in Baroque Europe. Edited by Christopher Hogwood. (Musical Performance and Reception.) New York: Cambridge University Press, 2003. [xvii, 245 p. ISBN 0-521-81055-8. $75.] Music examples, analysis charts, facsimiles, index.

Collections of essays dedicated to a specific person can and perhaps should convey different aspects of that person's work and influence--Christopher Hogwood's The Keyboard in Baroque Europe does just that. The volume is dedicated to Gustav Leonhardt, commemorating his seventy-fifth birthday, and includes articles from several of his former pupils. Hogwood clearly sets out that the purpose of the volume is to publish writings by "scholar-performers," and the variety of pieces therein certainly confirms this path. He rightly attributes the source of inspiration in the area of "historically informed performance" to Leonhardt's work as both performer and teacher (p. xv). Consequently the volume as a whole illustrates the different directions in which his influence may be felt. With this in mind, I have decided to focus on three essays from the book--ones which will serve to exemplify the very diverse types of research represented within.

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