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...in general and of Italian cinema in particular? And why, of all periods of Italian film culture, did the author choose Neorealism?
Without fully engaging with the latter, Rocchio constantly addresses the former, at least in its broadest formulation. He often contends that only Lacanian approach has the capacity to provide "a dialectical model of the individual that can take full account of the social/cultural realm and its relationship to the individual" (5). However, when he attempts...
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