...image-mixing techniques enable suggest new approaches to post-producers back in the studio?

I think we all are quite comfortable with the NLE paradigm. Whether your flavor is Avid, Final Cut Pro, Premiere Pro, or Vegas, they all work about the same: a timeline interface and clips that fall into it; the ability to get right to the point of an edit, dial-in timing with great precision, and ponder change from cut to cut with a specific view; all in the sequence you choose. It's non-linear, after all.

My studio occupies a small, interesting niche in the world of production and post-production. We create digital content (we've come to loathe the word "video" and all it implies) for extremely large screens at live events. Going out on tour to support your latest Grammy-winning CD? You might call us to create the visual setting on the screens. Producing an opera using a 50'x80' projection screen that requires eight blended projectors to create the extremely wide-angle image? We can help with that, too.

We have all the usual post-production gear, but we're often using it with a twist on the delivery end--"live" interaction and scenic context.

Going Live, and Where Live is Going

There's a revolution going on in live event video that hasn't been widely noticed by...

NOTE: All illustrations and photos have been removed from this article.



More articles from EMedia, The Digital Studio Magazine
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Safe and sound: the perfect song is a hallmark of the perfect wedding...., September 01, 2004
Bad habits of event videographers.(main event)(Column), September 01, 2004

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