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Article Excerpt THE YEAR 1904 was a very good year for dance: It was that prime vintage that saw the birth of both George Balanchine and Frederick Ashton, conceivably the two greatest classical ballet choreographers of the twentieth century. The dangerously amusing spell-check on my computer renders their names as Galantine and Asthenia, and I am sure that one day someone's inadequate command of that "Ignore" key will immortalize those names in print. However, the Georgian Balanchine (originally Balanchivadze but never Galantine) arrived in St. Petersburg, Russia, in January, while the English Ashton (hardly Asthenia) arrived in Guayaquil, Ecuador, in September. They were both pioneers, Balanchine in the United Slates, and Ashton in Britain, and both regarded the nineteenth-century choreographer Marius Petipa...
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